Militant Thistles

polemical poetry to prickle the politics of "permanent austerity"

atos Poor Doors Sheriff Stars spikes

thistles stretch their prickly arms afar

Black Triangle bedroom tax Disrupt and Upset

Christopher Moncrieff

Who Will Speak For England?

 

 

Where the voting slips were counted,

children now draw and sing and play,

coughing in the dust that still fills the air,

skipping through the layer on the ground,

finding crumpled ballots here and there.

They puzzle at the scrawl that smears the paper,

screaming out its pint of bitter rage,

clamouring inchoate for a voice.

And the children frown and shake their curled, blond heads:

what is this noise, they wonder? Does someone want to speak?

 

Out in the street, meanwhile,

and on the dust-choked airwaves,

there is much talk of speaking,

of walking the talk,

walking tall,

of taking it on someone else’s chin,

handing out brooms to the unemployed and capped

so they can cheaply sweep up the lies the talkers told

before the children find them in the dust

and read them out loud

outside Poundland and the sporting sweatshops

where babies are born in toilets during unpaid tea breaks

because the talkers and their ear-flap listeners

don’t like breast feeding in public places,

it gives them puce red faces

and makes their velvet collars curl.

But someone has spoken;

their Voice has been heard.

 

Christopher Moncrieff is a European poet who has also translated widely from French, German and Romanian literature (Pushkin Press, Alma Books, Alma Classics & Istros Books). After military service in Europe, the Near East and the USA during the Cold War he produced large-scale son et lumière shows in Germany, France and America before beginning to write. He read Theology at Oxford and has qualifications in design and on the military staff. A frequent traveller in Central and Eastern Europe, he speaks a number of the languages of the region. He also works for autism organizations and is a neurodiversity activist. His poetry has appeared in the Bucharest Literary Review, Luceafrul, and his first collection is due to be published by Waterloo Press in 2018.

And in My Lady’s Chamber,

where the dust of ages past

is dutifully debated daily

by blond talkers with loud voices

and divine-right, skirt-wandering hands

(when they’re not straying in the till),

the unanimous, hard-whipped opinion

is that someone somewhere who the clarions call

The People

has definitively spoken

once and for all

there’s no going back

we’re not for turning

to do so would be Tower of London Treason

chop chop chop goes the axe Mr Punch.

 

England has spoken;

it has done its duty

by the Irish and the Scots

and out-talked the Welsh.

The smell of its voice floats rankly on the breeze

which blows back and forth across the Channel,

clogging the continental air conditioners

like so many times before,

poisoning the atmosphere for friend and foe alike.

England has spoken

for itself.